I intend to include 'Artificially Created I' as one of a series of installations. These installations first deconstruct our sensory perceptions of natural elements and then artificially reconstruct them to reflect our conceptualizations of these natural phenomena. They aim to contextualize a phenomenological perspective on naturally existing objects and phenomena. In essence, these installations emphasize that our concepts of objects do not simply mirror their objective existence in the world. Instead, they arise from the synthesis of our multiple senses, resulting in a conceptualization of phenomena like waves that may differ radically from their external reality.
In the case of waves, these senses include auditory, tactile, and visual perception. The audio is played through the two speakers in a randomized back-and-forth pattern, creating an immersive experience that simulates the sensation of an imaginary entity moving between the speakers and emitting sounds. The tactile component consists of an amplifier, transducer, and instructions prompting viewers to place the device against their chest, allowing them to feel the vibrations of the same audio track. This setup recalls the common experience of physically interacting with waves, while reflections of water-like patterns appear on the walls in response to the movements. The visual side has a piece of mylar material with an instruction written on it and asking the viewers to manually make waves by shaking the mylar piece. This would recall the common experience of interacting with waves physically while reflections of water-like patterns appear on the walls as movements were made.
Thus, these artworks present a reverse process of conceptualizing natural objects, embodying an artificial aesthetic to highlight the counterintuitive nature of this reversal. This design is done by bringing the speakers and technologies as obvious as possible, the use of metallic, minimalistic material mylar and having the "touching" component done through the transducer.